Goichi Suda, or Suda 51 as he is often known, can be a hard person to pin down. His work, especially in recent years, has been accepted into videogame culture as “crazy” or “weird,” identified as flippant stories filled with self-referential non-sequiturs and mulched manga plotlines. “Oh it’s just crazy old Suda,” seems to be the standard response to his work, and you can drown in articles that introduce him as “the Tarantino of games.” This is a side effect of his breakthrough game perhaps, the otaku assassin simulator No More Heroes (2007), which cemented him as a master of the…