There are many reasons a writer might resort to fabulism. None of them are sufficient justifications, but some are more understandable than others. Chief among these reasons, one imagines, is the undeniable fact that transcription is miserable, tedious work. Steno Hero, with apologies to Donald Trum
Liyla and the Shadows of War is a game about a young girl living in Gaza during the 2014 Israel-Gaza conflict. Unfortunately, I can’t tell you much more than that because Apple has declared it too political to count as a game in its App Store. On Tuesday afternoon, developer Rasheed Abueideh said Li
Liam Wong, Ubisoft’s graphic design director, takes dope photographs. Perhaps this shouldn’t come as a surprise. The obvious temptation with Wong’s photography, which is posted on Instagram and sold on Society 6, is to liken it to his work in videogames. Insofar as games are our main point of refere
Hugo Arcier’s FPS is about last year’s attacks in Paris, though it is not immediately clear in precisely what way. We know this because the artist says as much on his website: “FPS is a post November 2015 Paris attacks art piece. The artist deals with blindness hijacking video game codes, in particu
The idea of innovation is often much cooler than innovation itself. Jetpacks, for instance, still capture the imagination in ways that a Boeing 737 does not. The former still looks like the future, even if that is a qualification it only holds because such a future has always failed to materialize.
