Michelle Ehrhardt

Get a load of the fluid, feminine power of Gris

As of right now, there’s not a lot of information about Gris. We know it’s a 2D game. We know it has “zones.” We know it stars a woman clad in a flowing cloak reminiscent of the main character in Journey (2012). We know it takes place in a surreal environment largely dominated by a Mars-like red, an

The Witness swaps polygons for pixels in its NES demake

For all its naturalistic beauty, one of the more interesting lines to come out of reviews for The Witness when it dropped earlier this year was that it didn’t actually need to be in 3D. Creator Jonathan Blow and his team may have spent eight years crafting the game world’s intricate details, but con

Adventure game is made out of actual Renaissance-era artwork

Four Last Things is the type of game I want to leave open on the title screen for hours, just to stare at and appreciate. But that would be the sin of sloth, friend. Still… Alright, alright, I’ll move on. Created in two weeks for Game Jolt’s adventure game game jam #advjam2016, Four Last Things is a

Islid lets you enter that curious half-asleep state while fully awake

Unnatural shapes, swirling colors, inexplicable lights, droning music, and a world that is constantly changing in texture and size: welcome to the hypnagogic state. You’ve been here before, probably. And, if I can let you in on a secret, I’m just about there right now. It may sound ridiculous, but e

The Sims finally loosens up its gender restrictions

Prior to last week, characters in The Sims 4 (2014) were at a bit of a paradox. They could have any skin color the player wanted—including nonexistent ones—move and present themselves in a variety of cartoonish manners, have one of dozens of slightly different styles of eyebrows or chin lengths (yes