Batman: Arkham Origins is one big identity crisis
Is this a prequel or a sequel? Does anyone care? Is this thing on?
Stephanie Carmichael
Inside the company that rules the Halo, Splinter Cell, and Tron universes
Media “bibles” are used as creative springboards, not blueprints.
Outlast reminds us why survival horror is important
Red Barrels’ debut makes you feel powerless all over again. It is “enjoyable.”
How Gunpoint paints a world with Edward Snowden’s brush
Tom Francis’ stealth title is a contemporary reflection on security and deadly force.
How Twin Peaks finds new life in the world of Deadly Premonition
Swery’s Deadly Premonition is getting its director’s cut this week. He has a lot to discuss with David Lynch. Perhaps over a cup of coffee?