Cameron Granger built a warehouse party for the last night on earth. We spent forty-five minutes with him on what a game can borrow from a night out, and why the clock runs out in ten. Full recording for members.
Three of us had our legs blown off.
Pietari Niinimäki is rebuilding the city as an open-world hangout, one tree at a time.
Andrés Borghi—the VFX artist behind When Evil Lurks—and Saibot Studios shot the film sequences with real actors and practical effects; New Blood publishes October 16.
Sandra Youkhana and Luke Caspar Pearson write up their practice for AD’s Staged issue, arguing games reach audiences buildings never will.
