Remember Nidhogg (2014)? Before its release there was whispers of it as the 2D fencing game that people just couldn’t stop playing. After its long-awaited arrival it made its way to other platforms, until it seemed to become nearly ubiquitous—its pixels once only glanced at now brash and animated in
“On death row, feel like I am…” For Danny Brown, all is lost. Atrocity Exhibition is the most heartbreaking record in a minute. It begins, quite literally and awash in scuzz, with the “Downward Spiral,” an ongoing theme in Danny’s work since 2011’s seminal XXX. Herein: Danny, on a coke binge, contra
Heterotopias is a series of visual investigations into virtual spaces performed by artist and writer Gareth Damian Martin. /// Videogames have always had something of a preference for islands. These closed spaces, limited by a shoreline, are the perfect conceit for creating an enclosed simulation—an
Children’s books used to have a more strange, haunting quality; think Wayne Anderson’s Ratsmagic (1976) and The Magic Circus (1978). Books had a sense of darkness, and not every tale was meant to be safe and moralizing. Growbot, an upcoming 2D point-and-click puzzle adventure, is a game that evokes
I relate a lot to Honey Rose. Or, at least I did back when I was a scrappy university student. While Honey moonlights as a masked luchador fighter in addition to being a college student by day, I juggled school, a job to pay the bills, and a far more time-consuming job that paid zero bills (campus p
