September 15th marks a full year since the arrival of Undertale, Toby Fox’s 16 bit-style role-playing game for PC. Its auspicious reception, which even delivered the game into the Pope’s hands, seems now more than ever to have been a flashpoint in current debates as to what constitutes excellence in videogames. Standing apart from the colossal world-building efforts that typically crowd year-end lists, Undertale offered something else: an epic-in-miniature, the latest entry in a tradition that might also include the animated shorts of David OReilly, Sarah Orne Jewett’s The Country of the Pointed Firs (1896), and Chopin’s preludes, which served…