The most interesting part of the discussion surrounding this year’s That Dragon, Cancer is the reaction on the part of its audience to its religious element. The Telegraph’s review, for example, expressed puzzlement at the faith itself, but not at faith as a coping mechanism. Kill Screen’s own review discussed the way in which elements of that belief were incomprehensible to those who do not buy into the essential premise. A common theme in these reviews is that grief is eminently relatable; while faith, or at least the specific permutation found in the game, is considered potentially alienating. These same…