LaTurbo Avedon’s Panther Modern opened up its tenth room recently. It’s an online exhibition space that encourages each of its contributing artists—all of who have their own 3D model file known as a “Room”—to experiment with the possibilities of software when creating their installations. The architecture of this exhibition is entirely virtual. It’s altered according to the aesthetic demands of every project. All the rooms together form a honeycomb of net art that wouldn’t be possible in physical space. Over the months, Panther Modern has hosted works as divergent as the frazzling, low-res and color-rich girly aesthetic of Emilie Gervais in…