The 2010 sf/slasher hybrid Beyond the Black Rainbow was the best argument for shooting on film since…well, since the days where there was no other option. Directed by first-timer Panos Cosmatos (son of George P. Cosmatos, director of the hands-down best movie where Sylvester Stallone eats pizza with scissors), it ripples with visual imagination and a drifting, surreal approach to narrative. Just look at this thing. LOOK AT IT. Oh yeah. There’s a scene in this film that feature a weird a jittering line running down one third of the screen, like a fuckup in the darkroom. But they didn’t go back…