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The 1990s, the decade that never ended

In 2013, the New Museum in New York presented an exhibition titled NYC 1993: Experimental Jet Set, Trash and No Star (named after an album by Sonic Youth). It curated art from the year of Bill Clinton’s inauguration. Soon after, New Jersey’s Montclair Art Museum featured Come As You Are: Art of the 1990s (named after a song by Nirvana). Jason Farago, writing about these shows for the BBC, posited that “this wave of 1990s shows marks a welcome effort to impose historical rigour on a period we still sometimes call ‘contemporary,’” but, “they reveal that the gap between then…

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The invisible women of videogames

When I was a young girl, I read an anecdote about Lara Croft—it said that her iconic look was created when her designer wanted to enlarge her breasts by 50 percent but accidentally entered 150 percent in the window. When he saw the effect he decided that it was great and that’s how the heroine should look—and thus the legend was born. I don’t know if that’s true, but it’s plausible, and the fact that it is tells us something about female characters in videogames, and how we think about women in general. Or maybe—how we look at them. It’s…

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How to talk about videogames (if you’re blind)

One of the first things that people notice when they flip on their consoles are the catchy intro sequences; the flashy animations of the screen. Videogames have a quantified area around them that’s visual. After all, so many game elements are conveyed through visual means, such as objective markers and collectables. Usually, in a videogame review, these visual references will pop up. Pixels will be examined, judgments will be passed on art direction and the success of animated bodies. I, however, don’t review visuals at all. I have to look to different aspects of a videogame to make up for…