voidscape Archives - Kill Screen

A Light in Chorus gets a proper story to go along with its magical visuals

We’ve had our eyes on Broken Fence Games’s A Light in Chorus for a while now. It’s hard not to look at this game, because it’s absolutely stunning. Its world is composed of glowing dots, like a starfield held in tremulous pointillism. So far that visual allure has made for gorgeous screenshots and GIFs, but the meat of A Light in Chorus—that is, how do you interact with this world?—has remained pleasantly elusive. I’m not asking “how you play it;” I’m not hoping to, like, max out my light-viewing skill tree or anything (please, no!). Our own Jess Joho did impressive work last year…

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In the post-apocalypse, there will still be performance art

Back in 2013, Lady Gaga quit smoking by employing the “Abramovic Method” during a three-day retreat in New York. It led to this extraordinary (and NSFW) video, in which Gaga is seen chanting into an empty room, stood blindfolded in a river to feel the rain drops against her skin, and getting intimate with a big block of ice while completely naked. The video achieved what it was supposed to: encouraging everyone who watched it and the public-at-large to question what this peculiar Method she went through was. The “Abramovic Method” is named after its creator, famed artist and self-proclaimed “grandmother…

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Cartas captures the terror of immigration in the 19th century

Julian Palacios, the Milan-based creator of Cartas, describes it as being “a short narrative game about the journey of a man adrift.” It is, in fact, more specific than that, it being bookended by letters written by immigrants who traveled to Argentina at the end of the 19th century. The game seems most concerned with depicting the dysphoria and disappointment of immigration, particularly as it’s described in the letter that is read aloud at its beginning—that of open hostility, constant alienation, racial abuse, feeling alone in an unfamiliar land. It captures all this through abstract, dreamlike segments that see you…

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Beyond the veil of Counter-Strike

Robert What wants to take Counter-Strike: Global Offensive (2012) back from the people who made it—yes, Valve. Despite the multiplayer first-person shooter proving enormously popular, What wants to see it undergo a conceptual transformation; from a series of static, made-to-look-real maps made for online competition to “dynamic spaces of artistic contemplation and social interaction where interesting events spontaneously emerge.” He has a theory but, before that, he has a gallery of tailored images called the “CS:GO Noclip Exhibition” that attempts to unravel it. In total, the gallery includes 396 screenshots from around Global Offensive‘s many maps, all taken and curated by What himself. These screenshots make use…