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Oneohtrix Point Never talks futurism, nostalgia, and the videogame music that haunts him

A computer doesn’t forget, it deletes. Its memories do not drop off the candle’s wick. Everything discarded is done so by some purpose, the will of the user or an overloaded failure of the hardware. People’s sense of memory can be more convenient; we can amplify the emotions of one moment to captivate the entire chapter. For many, the past becomes nostalgic: it’s easier to snip out the details we’re more often consumed by in the present. Even our feelings about computers gets nostalgic. Garden of Delete, the new album from Daniel Lopatin, aka Oneohtrix Point Never, doesn’t forget. It…

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Welcome to the terrifying virtual world of nightmare jazz

The intersection of jazz and grotesque virtual people needn’t exist. But it does—it’s too late to stop it now. The two distant subjects don’t meet anywhere else (to my knowledge) except on Swedish jazz student Simon Fransen’s YouTube channel. He has brought them together through common interest to a creative place of his own making that he says is “dedicated to jazz where nothing and everything makes sense!”  made to produce music out of pulling their bodies apart  What his “Jam of the Week” series entails is videos of (mostly) classic jazz songs rigidly recreated with sketchy and often sped-up electronic…

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Go beyond the music visualizer in today’s Playlist pick

Sign up to receive each week’s Playlist e-mail here! Also check out our full, interactive Playlist section. Panoramical (PC, Mac)  BY FERNANDO RAMALLO & DAVID KANAGA Forget the “music visualizer” that has been spinning webs of geometry on your PC since the ’90s. Panoramical finally makes it as outdated as dial-up internet or the word “gnarly.” It’s not a fleeting distraction for your boredom but an aperture into ethereal places. Here, music is transformed into bucolic alien worlds that billow into absorbing synesthesia. You can tweak the timbre, tempo, and volume and see hues warp, trees and mountains arise, clouds whiz by and moons arc.…

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An Aphex Twin tribute morphs the virtual body into horrifying shapes

Richard D. James (better known as Aphex Twin) has often seen his songs associated with disturbing, warped bodies. In the early ’90s, the label he co-founded and that produced his music, Rephlex Records, described his style as “braindance.” Pitchfork‘s Paul Cooper wrote about this terminology in 2002, saying that “‘braindance’ escaped the mind/body binary opposition of electronic music– here was a rhythmically hyper, complex genre that retained its club roots by appending fantastically supple limbs to the listener’s fervid imagination.” The corporeal imagery conjured there is hardly an embellishment on Cooper’s part. By that time, the music videos directed by experimental…

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This procedurally generated game captures the lurid rituals of a concert

Everyone shuffles in, somehow looking both non-committal and excited. The space is tight-knight, vaguely dingy, and hot from all the breaths and bodies. People are talking, but not real talk—at most, small talk, to diffuse the tension of waiting. Then, the lights go black and everything stops for one full second. Whether the lights come back on only to reveal a pouty mouthed Justin Bieber, or the pasty faces of Neutral Milk Hotel, the ritual is just the same. Like-minded (sometimes even like-looking) people huddle around a stage, thrashing their limbs in synchronization to a rhythm they know by heart. No…