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The cycles of violence in BioShock: The Collection

Between 2007 and 2014, Irrational Studios and 2K Games told a story. This single story had five acts: BioShock (2007), BioShock 2 (early 2010), Minerva’s Den (late 2010), BioShock Infinite (2013), and Burial at Sea (2013-2014). Since episodic presentation encourages isolated judgment, it wasn’t alwa

Darkest Dungeon’s unpredictable terrors get inside your head

His foot slipped, and Kugel the cleric fell toward the lava that was rapidly filling the chamber. He seemed oddly resigned, taking no immediate actions to alter his fate. “Perhaps this is the end of Kugel,” he whispered as his boots hit the magma. Darvin the fighter, too high up to be of immediate h

Smokestacks and metalwork: The industrial horror of videogames

In the most famous scene in Fritz Lang’s cinematic masterpiece Metropolis (1927), the protagonist, Freder, descends beneath the film’s urban dystopia to find a great network of machinery being tended by nameless, uniformed men. Steam columns, the clouds of this underground microcosm, rise and fall a

Author in the machine: An XCOM 2 Review

Vigilo Confido goes the motto of the titular fighting force in Firaxis Studio’s excellent XCOM 2. To any English speaker, even one without any specialized knowledge of Latin, the meaning of the motto appears self-evident. Vigilo—vigil, vigilance, or something to that effect—and confido—obviously, co

Wheels of Aurelia sputters onto the race track

Elevator pitches have the benefit of being ideas rather than actual things in the real world. With the right pitch just about anything can sound promising. Take communism, for instance—a system that, on paper, reads like an egalitarian haven, promising equality, fairness, and a stable life for every