Horror

The Witch isn’t an empowerment narrative and that’s why it’s great

Before, I was not a witch. But now I am one. — Margaret Atwood, author of Half-Hanged Mary and descendant of accused witch Mary Webster The Witch, described simply by its first time writer/director Robert Eggers as a “New England fairytale,” tells a story we’ve heard many times and in many different

Here comes another horror game contender for the P.T. throne

One of the primary pleasures of European horror from the 70s is the sheer amount of wandering that takes place. In France you had erotica auteur Jean Rollin and his undead ingenues padding barefoot around mist-shrouded moors; in Italy, the more overtly perverse Dario Argento was stalking actresses t

Now this is a videogame worthy of Beksinski’s haunting paintings

If you look upon the mournful, decaying figure sat atop that webbed plinth above and don’t immediately think of Zdzisław Beksiński then you aren’t familiar with his work. And if that’s the case then you might not fully realize the appeal of Scorn, the videogame that this concept art informs. Time to

Horror lurks behind the nighttime driving of Dead End Road

There’s something existentially terrifying about driving at night. For my money, it has to do with that unpleasant combination of velocity and darkness. The swath cut by your headlights is only enough to catch fleeting images. Is that a hitchhiker you see on the side of the road, or an unnervingly c

Sylvio 2 and the ghostly terror of analog technology

Sylvio was a humble ghost-hunting horror game in the foggy, abstract lineage of Silent Hill. It also boasted an indelible protagonist in soft-spoken Juliette Waters. Her resolve through all manner of supernatural phenomena makes you, the player, feel a bit better about the screaming ink-black blobs