isometric

Adam brings an unusual perspective to bleak black-and-white horror

It’s rare to see an isometric horror game. The 3/4 perspective affords more visibility than what is conducive to most horror scenarios, where the possibility of things lurking in the darkness or just around the bend helps heightens the tension. But in Adam, at least what’s shown in its only availabl

Eitr’s trailer recalls the pitch-black world of Diablo II

The Gothic masterpiece that was Diablo II, the one that I willingly gave away much of my youth to, was perhaps most notable because of its atmosphere. It was a shadowy world, brown lands fading into a black background, full of occult sacrifices, lo-fi gore and legions of grotesque demons. Horror loo