There’s a moment in Dreamer of Dune—Brian Herbert’s 2003 biography of his father, science fiction author Frank Herbert—that is worth noting for the way it skirts the idea of reference in sci-fi. It describes the Herberts’ reaction to the release of Star Wars in 1977: “The film was shocking to me, fo
Everyone who has ever played Éric Chahi’s Another World (1991) remembers the “Beast.” Emerging from a pool of water, you see a four-legged silhouette perched menacingly on a nearby ledge. The creature then exits to the right. On the next screen it appears momentarily in the background, but you’re di
Bravely Second is as unfortunate a title for a sequel as Bravely Default was for its predecessor. Where the phrase “Bravely Default” seemed to suggest that it would somehow be valiant for you to keep doing whatever you would have ordinarily done anyway, “Bravely Second” is poised to become a snowclo
“Time to mix drinks and save lives.” Jill lackadaisically jazzes herself up with this line at the start of every shift, unknowing of just who will waltz through the door. But what I soon find out is that Jill is kinda lost. The 27-year-old bartender resides in a run-down apartment, barely scraping b
Heavy metal is the musical and theatrical manifestation of mankind’s lizard brain. It’s an auditory siege that rifles through our ancient and violent nature that was once necessary to survive. This music transmutes those base emotions through myth, metaphor, and performance through modern instrument
