News
Eva and Franco Mattes' cursed cat now breeds in the dataset
A robot photographed the ANGRY AS FUK meme around the clock so image models inherit its mood
News
A robot photographed the ANGRY AS FUK meme around the clock so image models inherit its mood
News
A sharp, quippy quest on what we do for love
Noland Chaliha
Noland Chaliha's procedural insects refuse to die
MAZiN
MAZiN built a fake PSX, a ROM corruptor to break it with, and a nightclub that degrades in real time.
News
Leo Castañeda's Camoflux Recall Grotto outlasts the galleries on artport
MUBI
Meriem Bennani and Orian Barki's animated feature moves between New York and Casablanca in near-photoreal rooms — streaming now.
News
Bubble maps a psychedelic dimension-hopper that exists only in Gerard Roberts' head—and in fourteen tracks of it.
Bubble maps a psychedelic dimension-hopper that exists only in Gerard Roberts' head—and in fourteen tracks of it.
Touch-reactive engravings let visitors interrupt AI creatures roaming a ruined temple
Mansoor Adayfi, held without charge for 14 years, joined Joseph DeLappe and Biome Collective as co-creator rather than subject.
Chris Pell spent a decade reading dance floors. Now he is building a Luddite point-and-click alone, for one player at a time, with an album hidden inside it.
Games, play, and culture with Jamin Warren
The analog VJ scene treats game imagery as physical material
Andy and James of War With a Mate are nearly a hundred episodes into The Campaign for North Africa, and the real 111 turns have not started yet.
Characters at the Grand carry their own theme songs, and dialogue choices are sung back in verse.
Alessandro Durando's wordless adventure sends you across brutalist monuments carved to outlast the language of their builders.
Touch-reactive engravings let visitors interrupt AI creatures roaming a ruined temple
Mansoor Adayfi, held without charge for 14 years, joined Joseph DeLappe and Biome Collective as co-creator rather than subject.
Chris Pell spent a decade reading dance floors. Now he is building a Luddite point-and-click alone, for one player at a time, with an album hidden inside it.
Ten years of showing game engines as art earns the Deptford gallery a 48-hour weekender, plotted through a personalized interactive map.
The fellowship citation names a playable installation, and the artist's voice-controlled speech therapy remake runs in your browser now.
Also, a purgatory for cheating AIs built as a theatre, where the audience runs the lights by phone.
Natasha Chuk’s new essay reads esoteric programming languages through Oulipo, Aarseth’s ergodics, and Getting Over It with Bennett Foddy.
The arthouse-games festival whose lineup predicts a year of coverage sets its 16th edition; award submissions may open as early as December.