Refik Anadol's AI museum takes your pulse as an input

Every visitor at the Grand LA wears a wristband and a scent collar, and leaves holding a paper token of the data they generated, to keep or to destroy.

DDoD brings its Fog-swallowed roguelite to Xbox day and date

The Future Entertainment Company built a 60-square-kilometer sealed zone on real-world topography, the way S.T.A.L.K.E.R. leaned on Chernobyl.

The Cicada Does Not Know Summer [Podcast]

An arcade cabinet in Tokyo writes a stranger's life from census data, and the artist who built it explains why you are allowed to go back exactly once.

SFPC's HTTPoetics reads the handmade web as memory work

Tyler Yin and Kayla Drzewicki revisit the class's hand-built sites: a CD-ROM homage, a hammam of grief, pop-up loops of a toxic relationship.

A video synthesizer is the control scheme in Hypnogenesis

Allen Riley and Andy Wallace wired a bullet hell into the guts of an image feedback loop, then demoed it on a CRT for the games-research crowd.

Jenna Caravello premiered Vimar at Edinburgh's film festival

A games-native animator, associate director of UCLA's Game Lab, cleared one of cinema's oldest showcases with two haunted minutes about a swan.

Alice Wang aims a first-person camera at cosmic architecture

Four films screened at the New Museum treat Mayan monuments and radio telescopes the way a game treats a level: a frame of reference to inhabit.

Travess Smalley's pixel rugs get a fluorescent monograph

Vetro Editions prints 192 pages of generative weaving in UV-reactive inks, with essays by Casey Reas and Anika Meier.

At Nxt Museum, the visitor is the puppeteer

Tales of Two, the first interactive installation from Hague animation studio Yonk, opened at Amsterdam’s new-media museum in July.

Cloud materials were eating Garden of Giants' framerate

Dakota Pailes-Friedman tells us what's so heavy

Christian Marclay's The Clock is a game of looking

Twenty-four hours of film assembled entirely from clocks, and the behavior it produces is not watching at all but sightseeing, closer to a game than cinema.

A dead PS3 is the excavation site in Kara Güt's YLOD

Screened in Matteo Bittanti's VRAL, the video uses Lance McDonald's Dark Souls debug mod to dig through what a console retains after play ends.