Where, if anywhere, is the line between casually offensive videogames and transparently hateful videogames situated? How many white, male playable characters and tokenized female or minority NPCs does a game need before we declare that the whole enterprise is rotten? These questions come up with alarming frequency when examining videogames, yet for all the tropes and slights—or, to use a mot juste, microaggressions—the line separating “problematic” games and hateful games is usually seen as incredibly difficult to cross. It’s never been easier to create a stupidly offensive game, yet it’s not getting that much easier to declare the whole edifice rotten to…