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The weird abandoned spaces of virtual worlds

I went to college in a rolling campus up on a forested hill, where the woods served as a playground on bored Sunday evenings, and frequent late-night power outages meant sneaking into empty administrative buildings, or finally searching for that deserted amphitheater tucked away in the forest, resigned to wood rot in its abandonment. There were days I would walk across campus and not see a single other student anywhere on the winding roads, dirt trails, or cement plazas of the school. But even then, the emptiness of these real, physical spaces rarely felt as eerie as that of the…

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Digital typeface 83M80 is an attempt to claw back earlier internet eras

These are great times for the weird internet, which is a little strange because it’s all so respectable. Sure, there are still genuinely weird sites like oj.com, but they are weird precisely because they are retro. It’s probably for the best that we don’t live in the era of make-your-own-Geocities and frames, but what have we lost along the way and does it have any aesthetic value independent of our nostalgia?  83M80 — Letterpress in the Digital Era, a documentary by Gonzalo Hergueta and MRKA, attempts to address what has been lost in the move towards a more professionalized internet.…

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What is #DeepDream and why is everyone getting so weird with it?

To answer your question, Mr. Dick, yes, androids do dream of electric sheep. Or, at least, artificial intelligence does. And it’s less sheep and more like an insectoid nightmare of sheep as seen through a faint kaleidoscopic filter. We are fascinated and disturbed, Mr. Dick, but the future isn’t quite as horrendous as you might have thought it to be. Not yet. Look! Here’s another of these strange machine dreams, this time featuring US president Andrew Jackson’s portrait on the $20 bill morphed into an arachnid’s face. Another! This time of one of the most iconic images of 9/11, yet the…

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MoMA.org celebrates two decades of existence with a gift to future art historians

Always having their heads in the past has meant that archivists and museum organizers are generalized as old curmudgeons who can’t see the future through the coat of dinosaur dust on their glasses. But the MoMA continues to earn the modernity label embedded in its name, as an emblem of what a museum can be when it embraces the ephemeral landscape of its subject. So when the screeching siren’s call of dial-up internet sounded, the Museum of Modern Art of course answered without skipping a beat, launching their website on May 25th 1995. As the MoMA blog post celebrating the anniversary…

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Celebrate the clunkiness of 90s electronics with these adorable gifs

The ’90s was truly the last analog decade. When the new millennium rolled around we all made the switch over to digital as if it were commanded by time itself. It was a gradual process: the first 3G networks appeared in 1998 to pave the way for the ubiquity of all-purpose mobile phones; Apple introduced its iPod in 2001; peer-to-peer technology really took off as people discovered services like Napster from ’99; and social networking was embedded in our lives with the launch of MySpace in 2003 and Facebook in 2004. As we melted into our comfier digital lives, what…

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9 Squares captures the wonderful dialogue of gif culture

Remember Hollywood Squares, the 1990s American quiz show in which panelists—including a definitely-not-high Whoopi Goldberg—were seated in three stacked tiers, each of which contained 3 boxes? There were audience participants, sure, but Hollywood Squares was really about the interaction between the boxes in its 3×3 grid. an ongoing dialogue about creativity  If Whoopi and her eight aged colleagues had been replaced with animated gifs, it would have looked something like 9 Squares, a bimonthly digital art project currently being hosted on Tumblr. Every two weeks, nine designers / animators are given a four-color palette and asked to create a three-second-long…

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Digital Arabesques enhances the splendor of Islamic art with virtual reality

Pioneering digital artist Miguel Chevalier discovered within Islamic art a language similar to his own. His interest in the generative image, ornate designs, virtual cities, and especially algorithmic art has commonalities with the symmetrical geometry seen in Persian rugs, and mosques such as Jama Masjid of Herat in Afghanistan. What both Chevalier’s work with computers and Islamic art’s complex star-and-polygon patterns share is a basis in mathematics. In 2007, Paul J. Steinhardt and Peter J. Lu released research notes into medieval Islamic art, which showed a breakthrough around 1200 had led to an intuitive understanding of complicated mathematics. Writing about this in an essay for Muslim Heritage, Professor Salim…